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June 15 – September 8, 2024

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From natural wonders to the open road, the landscape has long been a muse in American art. (Un)Settled questions the shaping of national identity through objects from the colonial era to present. The variety of media and makers helps to redefine whose view is considered and expands on landscape’s relevance and resonance in art. 

(Un)Settled explores the rich, complicated, and evolving topic of what it means to be American. The exhibition presents historic artworks in conversation with modern and contemporary pieces to examine ideas such as defining national identity, the question of land preservation, the meaning of boundaries, the complexity of cultural landscapes, and how location shapes our sense of self.

Building upon noted Hudson River School paintings, (Un)Settled features works by artists including Fidelia Bridges, Marsden Hartley, Georgia O’Keeffe, Benny Andrews, William Christenberry, Ana Mendieta, Ed Ruscha, Jeffrey Gibson, and Jacqueline Bishop. Through 40 artworks including examples of material culture such as furniture, glass, ceramics, and baskets, the exhibition highlights the evolving conversations around landscape and its relationship to establishing cultural and national identity over the last two centuries.

This is one in a series of American art exhibitions created through a multi-year, multi-institutional partnership formed by the Wadsworth Atheneum Museum of Art as part of the Art Bridges Cohort Program. Led by the Wadsworth Atheneum Museum of Art (CT), the cohort includes three partners: the Columbia Museum of Art (Columbia, SC), the Mobile Museum of Art (Mobile, AL), and the Montgomery Museum of Fine Arts (AL). This innovative cross-regional partnership explores new ways of interpreting art and the American experience through dynamic exhibitions and an array of complimentary public programs. 

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(Un)Settled Opening Performance

A multidisciplinary performance featuring artist and poet Marlanda Dekine recorded at the CMA on June 15, 2024. Inspired by themes in (Un)Settled, Dekine joins pianist Moses Andrews III and dancer Starlitt Miller to recite selected works from her book Thresh & Hold. See the full list of projected works here.

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The (Un)Settled Podcast 

The (Un)Settled Podcast is a multipart special presentation of the Binder Podcast dedicated to the traveling exhibition (Un)Settled: The Landscape in American Art.
 

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Episode 1: The American South Consortium

In today's episode, host Drew Baron interviews the collaborators of the American South Consortium to learn more about how this partnership started before taking a deep dive into the themes of and inspiration for this exhibition. Featuring interviews with Erin Monroe, Laura Leonard, Glenna Barlow, Michael Neumeister, Margaret Lynn Ausfeld, Emily Stuart Thomas, John Carfagno, and Stan Hackney.

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Episode 2: Dan Friday

In this episode, the Wadsworth's Krieble Curator of American Paintings and Sculpture Erin Monroe returns to talk about material culture in the exhibition and why the inclusion of Dan Friday's glass piece, Aunt Fran's Basket, was so special. Then Friday himself joins host Drew Baron for an interview discussing his work, his heritage, and the world of glass art.

Read the Transcript

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Episode 3: Bill Harris

CMA Curator of Education Glenna Barlow talks about how the inclusion of three pieces of Catawba pottery in (Un)Settled is creating new context for some beloved museum acquisitions. Then Catawba potter Bill Harris shares memories of his grandmother Georgia Harris, whose work Bowl with Effigy Heads is featured in the exhibition.

Special support for this episode provided by the Catawba Cultural Center and the University of South Carolina Lancaster's Native American Studies Center.

Read the Transcript

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Episode 4: Jacqueline Bishop

In today's episode, the Montgomery Museum of Art's head of learning and programs Emily Stuart Thomas returns to discuss viewer reactions to After The Rain (Methane) on view in (Un)Settled. Then the painter herself, Jacqueline Bishop, joins series host Drew Baron to discuss her work, global travel for field research, the ecological impacts of humans on the environment, and why birds are the messengers for the world.

Read the Transcript


(Un)Settled: The Landcape in American Art is now on view at the Mobile Museum of Art.

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This multi-year, multi-institutional exhibition partnership was formed by the Wadsworth Atheneum Museum of Art as part of the Art Bridges Cohort Program

"Art Bridges and the Wadsworth Atheneum Museum of Art"

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